Auto-Tune Mobile brings vocal pitch correction to vocal performance, using Antares' world-class Auto-Tune®technology. Now Antares' professional pitch correction recording studio technology is available for local performers touse live, on stage, or in recording apps on your iPhone / iPad.
The Auto-Tune Mobile app does not do anything until you sing through it. When you sing, Auto-Tune Mobile detects whatnote you are singing, and corrects the pitch of your notes, to the nearest valid note, from the ones you select on thescreen. The corrected vocals go out through the speakers (when you turn on Audio Out); also Auto-Tune Mobile iscompatible with other apps if you wish to record.
Connect Auto-Tune Mobile to your sound system between your microphone and your P.A. / speakers to use Auto-TuneMobile in a live performance setting. Use a microphone audio interface device to connect the 1/8 inch jack to yourmicrophone line and the headphone output to your sound system. Turn on Audio Out on the Auto-Tune Mobile app to getaudio to pass through the system. If you turn on Audio Out without connecting to your sound system, you are likely tohear the internal feedback of the internal speaker to the internal mic. Adjust your mic and speakers so there is nofeedback.
Jul 25, 2017 In this Video I will show you how you can get an Easy and Fast Auto Tune Effect that's Smooth at the same time. And I will be using Stock plugins so anyone can follow along. Purchase Instant. Auto-Tune Mobile conforms to the Inter-App Audio (IAA) standard so you can use Auto-Tune with your other IAA apps. Notice when using with GarageBand that the Auto-Tune filter takes effect as you record the track. If you want to pitch correct a pre-existing vocal you will need to replay it outside of GarageBand and re-record it to a new track. Jul 25, 2017 In this Video I will show you how you can get an Easy and Fast Auto Tune Effect that's Smooth at the same time. And I will be using Stock plugins so anyone can follow along. Purchase Instant.
Vocals are corrected to the nearest pitch based on the key and scale of the song, or to a set of melody notesselected on the screen. Use the Chromatic scale when you don't know what key or scale a song is in. This is theeasiest way to correct your voice to the nearest pitch.
The Retune speed is the time it takes for Auto-Tune to pitch correct your voice. The Normal Retune speed is a settingof 50 msecs -- this gives a natural humanized pitch correction effect. Normal Retune speed is appropriate for a moderatetempo song, for example a song at 120 bpm with a melody in eighth notes.
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A funky or fast tempo tune, or a song requiring sixteenth note precision, will likely require a Fast Retune speed.The Fast Retune speed corrects notes within 25 msecs; this is better for faster notes. For slow songs or balladsfeaturing long held notes, the Slow Retune speed (75 msecs) may provide a more natural sound.
In addition to natural sounding pitch correction, you can also apply the iconic Auto-Tune effect. The Auto-Tuneeffect in essence retunes your pitch immediately (in 0 msecs). Ironically, if you sing really well, there is not muchcorrection for Auto-Tune to do. The Auto-Tune effect is most noticeable when you are off key or you slide into a note.Also when you set the app to the Auto-Tune Effect setting, a meter appears at the top (red bouncing ball) that visuallyindicates whether you are singing sharp or flat.
The Bypass button is provided as a quick way to stop and start adding the effect as you sing.
Auto-Tune Mobile conforms to the Inter-App Audio (IAA) standard so you can use Auto-Tune with your other IAA apps. Notice when using with GarageBand that the Auto-Tune filter takes effect as you record the track. If you want to pitchcorrect a pre-existing vocal you will need to replay it outside of GarageBand and re-record it to a new track. Midicontrol of pitch correction is included, so you can connect a Midi keyboard and direct the vocals to sing on aparticular melody or on a set of scale notes as pressed on the keyboard. Midi note presses will show up in red on theapp.
The latest version of Antares Auto-Tune Evo VST is 6.09, released on. The following review written by one of the Software Informer contributors applies to version 1.0. What's New in Auto-Tune 7 By far the most dramatic addition to Auto-Tune 7 is its entirely new time correction and manipulation system. Auto-Tune Pro is the most complete and advanced edition of Auto-Tune. It includes Auto Mode, for real-time correction and effects, Graph Mode, for detailed pitch and time editing, and the Auto-Key plug-in for automatic key and scale detection.
Auto-Tune Mobile is Audiobus compatible, allowing Auto-Tune Mobile to work with your other iOS music apps. Auto-TuneMobile acts as a filter in the “Effects” category, so you can apply pitch correction and the Auto-Tune effect to otherAudiobus-compatible apps. (see http://audiob.us).
* Vocal real-time pitch correction designed for live performance
* Compatible with other IAA and Audiobusapps * Built with Antares Audio Technologies' Auto-Tune® professional pitch correction * Tested with TascamiXZ and IK Multimedia's iRig microphone audio interfaces. * Made for musicians.
If you switched on the radio in the summer of 1998, chances are you got a taste of Cher's 'Believe,' an up-tempo ode to bouncing back after a rough breakup. More than a quarter century after first rising to prominence as a 1960s folk artist, the 52-year-old Cher was once again climbing the charts. In malls, dance clubs and laser bowling alleys across the country, 'Believe' played frequently. By the time the dust had settled, the song had become Cher's bestselling recording ever -- and one of the bestselling singles of all time.
At the time, the most notable feature of the song was an electronic modification on the vocals. The effect first appears 35 seconds into the song, while Cher sings 'I can't break through.' On each of the last three words, Cher's voice undergoes a bizarre electronic glitch.
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The reason behind that glitch was Auto-Tune, a pitch-correcting software designed to smooth out any off-key notes in a singer's vocal track. Released only the year before 'Believe,' it was the recording industry's favorite dirty secret: With only a few clicks of a mouse, Auto-Tune could turn even the most cringe-worthy singer into a pop virtuoso. But most music studios kept it around simply to fix with the occasional wrong note.
During the recording sessions for 'Believe,' however, Cher's British producers had put the software into overdrive. Instead of lightly tuning the pitch of Cher's voice, they had adjusted the levels so sharply that it became an unmistakable part of the song. The effect was weird and robotic, but against a background of synthesizers and high-energy percussion, it worked like a charm. Opera singers have long been using vibrato, a technique of delivering a note in a constantly wavering pitch. As far as Cher and her producers were concerned, though, Auto-Tune was simply a computerized twist on the technique.
As 'Believe' hit the airwaves, the producers aimed to keep the lid on their new toy. So much so, that when interviewed about the technique by a sound engineering magazine, they lied and said it was due to a vocoder, a well-known voice modulation device used since the 1970s [source: Sillitoe].
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But the truth eventually trickled out, and when it did, Auto-Tune's inventor, Harold 'Andy' Hildebrand, was shocked. Auto-Tune was supposed to be a behind-the-scenes trick for the recording studio. The New Yorker had compared it to blotting out the red-eye in a photograph, and Hildebrand himself compared it to wearing makeup [source: Frere-Jones, NOVA].
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But now, Hildebrand's brainchild was making Cher sound like a robot. 'I never figured anyone in their right mind would want to do that,' Hildebrand told Time magazine [source: Tyrangiel] Whether he realized it at the time or not, Hildebrand's electronic creation was about to become one of the largest technological influences on popular music since Les Paul invented the modern electric guitar.
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